Ace in the Hole (1951)
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- Approved
- 1h 51min
- Drama, Film-Noir
- 04 Jul 1951 (USA)
- Movie
- Nominated for 1 Oscar. Another 4 wins & 2 nominations.
- See more »
Photos and Videos
Cast verified as complete
Kirk Douglas | ... |
Chuck Tatum
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Jan Sterling | ... |
Lorraine Minosa
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Robert Arthur | ... |
Herbie Cook
(as Bob Arthur)
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Porter Hall | ... |
Jacob Q. Boot
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Frank Cady | ... |
Al Federber
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Richard Benedict | ... |
Leo Minosa
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Ray Teal | ... |
Sheriff Gus Kretzer
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Lewis Martin | ... |
McCardle
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John Berkes | ... |
Papa Minosa
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Frances Dominguez | ... |
Mama Minosa
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Gene Evans | ... |
Deputy Sheriff
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Frank Jaquet | ... |
Sam Smollett
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Harry Harvey | ... |
Dr. Hilton
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Bob Bumpas | ... |
Radio Announcer
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Geraldine Hall | ... |
Nellie Federber
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Richard Gaines | ... |
Nagel
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Rest of cast listed alphabetically: | |||
Roy Regnier | ... |
Nagel - New York Editor (replaced by Richard Gaines) (scenesDeleted)
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Oscar Belinda | ... |
Barker (uncredited)
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Martin Bendleton | ... |
Barker (uncredited)
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Timothy Carey | ... |
Construction Worker (uncredited) (unconfirmed)
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Basil Chester | ... |
Indian (uncredited)
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Ken Christy | ... |
Jessop (uncredited)
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Stewart Kirk Clawson | ... |
Federber Boy (uncredited)
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Iron Eyes Cody | ... |
Indian Copy Boy (uncredited)
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Francisco Day | ... |
Photographer (uncredited)
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Lester Dorr | ... |
Father Diego (uncredited)
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Claire Du Brey | ... |
Spinster (uncredited)
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Edith Evanson | ... |
Miss Deverich (uncredited)
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William Fawcett | ... |
Sad-Faced Man (uncredited)
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John Stuart Fulton | ... |
Boy (uncredited)
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Joe Gray | ... |
Minor Role (uncredited)
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Charles Griffin | ... |
Mr. Wendel (uncredited)
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Larry Hogan | ... |
Television Announcer (uncredited)
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Frank Keith | ... |
Fireman (uncredited)
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Bob Kortman | ... |
Digger (uncredited)
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Martha Maryman | ... |
Woman (uncredited)
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Stanley McKay | ... |
Reporter (uncredited)
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Joe J. Merrill | ... |
Digger (uncredited)
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Paul D. Merrill | ... |
Federber Boy (uncredited)
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Lee Miller | ... |
Mover (uncredited)
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Ralph Moody | ... |
Kusac - Miner (uncredited)
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Bert Moorhouse | ... |
Josh Morgan (uncredited)
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William H. O'Brien | ... |
Customer at Minosa's (uncredited)
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Frank Andrew Parker | ... |
Reporter (uncredited)
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Martin Pendleton | ... |
Barker (uncredited)
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William N. Peters | ... |
Photographer (uncredited)
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Bill Ramsey | ... |
Vocalist (uncredited)
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Jack Roberts | ... |
Newspaperman (uncredited)
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Bill Sheehan | ... |
Man (uncredited)
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Bert Stevens | ... |
Reporter (uncredited)
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John 'Bub' Sweeney | ... |
Reporter (uncredited)
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Rythem Wranglers | ... |
Band (uncredited)
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Directed by
Billy Wilder |
Written by
Billy Wilder | ... | (written by) & |
Lesser Samuels | ... | (written by) & |
Walter Newman | ... | (written by) |
Victor Desny | ... | (story) (uncredited) |
Produced by
William Schorr | ... | associate producer |
Billy Wilder | ... | producer |
Music by
Hugo Friedhofer |
Cinematography by
Charles Lang | ... | director of photography (as Charles B. Lang Jr.) |
Editing by
Arthur P. Schmidt | ... | (as Arthur Schmidt) |
Editorial Department
Doane Harrison | ... | supervising editor |
Casting By
Bert McKay | ... | (uncredited) |
Art Direction by
A. Earl Hedrick | ... | (as Earl Hedrick) |
Hal Pereira |
Set Decoration by
Sam Comer | ||
Ray Moyer |
Costume Design by
Edith Head |
Makeup Department
Wally Westmore | ... | makeup supervisor |
Hal Lierley | ... | makeup artist (uncredited) |
Production Management
Richard Blaydon | ... | assistant production manager (uncredited) |
Hugh Brown | ... | production manager (uncredited) |
Don Robb | ... | assistant unit production manager (uncredited) |
Second Unit Director or Assistant Director
Charles C. Coleman | ... | assistant director (as C.C. Coleman) |
Francisco Day | ... | assistant director (uncredited) |
Al Mann | ... | assistant director (uncredited) |
Jason Rosenberger | ... | assistant director (uncredited) |
Art Department
Maurice Goodman | ... | set dresser (uncredited) |
Cline Jones | ... | prop maker (uncredited) |
Martin Pendleton | ... | set dresser (uncredited) |
Tom Plews | ... | props (uncredited) |
Will Williams | ... | movie poster artist (uncredited) |
Harold Worthington | ... | props (uncredited) |
Sound Department
Gene Garvin | ... | sound recordist |
Harold Lewis | ... | sound recordist |
Bob Carr | ... | sound (uncredited) |
A.D. Cook | ... | cableman (uncredited) |
John Cope | ... | sound (uncredited) |
Visual Effects by
Farciot Edouart | ... | process photography |
Irmin Roberts | ... | transparency camera (uncredited) |
Camera and Electrical Department
Guy Bennett | ... | camera operator (uncredited) |
Frank Carroll | ... | grip (uncredited) |
William Collins | ... | grip (uncredited) |
Don English | ... | still photographer (uncredited) |
Cliff Hartley | ... | grip (uncredited) |
Al Lipsey | ... | grip (uncredited) |
Kenneth Meade | ... | assistant camera (uncredited) |
Jess Miller | ... | electrician (uncredited) |
William Rand | ... | camera operator (uncredited) |
Dominic Seminerio | ... | grip (uncredited) |
George Sherman | ... | grip (uncredited) |
Casting Department
William Poole | ... | location casting (uncredited) |
Costume and Wardrobe Department
Ed Fitzharris | ... | wardrobe (uncredited) |
Hazel Hegarty | ... | wardrobe (uncredited) |
Music Department
Sidney Cutner | ... | orchestrator (uncredited) |
George Parrish | ... | orchestrator (uncredited) |
Leo Shuken | ... | orchestrator (uncredited) |
Van Cleave | ... | orchestrator (uncredited) |
Script and Continuity Department
Lupe Hall | ... | script supervisor (uncredited) |
Additional Crew
Francis J. Abdo | ... | medical technical advisor (uncredited) |
Henry Giles | ... | technical advisor: teletype (uncredited) |
Harry F. Hogan | ... | dialogue director (uncredited) |
Sally Hunt | ... | technical advisor: teletype (uncredited) |
Irene Martin | ... | stand-in (uncredited) |
Kenny Miner | ... | auditor (uncredited) |
Production Companies
Distributors
- Paramount Pictures (1951) (United States) (theatrical)
- Paramount Film Service (1951) (Canada) (theatrical)
- Paramount British Pictures (1951) (United Kingdom) (theatrical)
- Paramount Film Service (1951) (Australia) (theatrical)
- Film AB Paramount (1951) (Sweden) (theatrical)
- Paramount-Films (1951) (Finland) (theatrical)
- Filmaktieselskapet Paramount (1951) (Norway) (theatrical)
- Paramount Films of Argentina (1952) (Argentina) (theatrical)
- Lii-Filmi (1965) (Finland) (theatrical)
- Paramount Italiana (1952) (Italy) (theatrical)
- Espectáculos Rivus (1970) (Portugal) (theatrical) (re-release)
- Yleisradio (YLE) (1973) (Finland) (tv)
- Mainostelevisio (MTV3) (1985) (Finland) (tv)
- TV3 (1988) (Finland) (tv)
- Paramount Home Entertainment (2006) (United States) (DVD)
- The Criterion Collection (2007) (United States) (DVD)
- Paramount Home Entertainment (2008) (Finland) (DVD)
- Terminal Video (2013) (Italy) (DVD)
- Eureka Entertainment (2014) (United Kingdom) (Blu-ray) (DVD)
- The Criterion Collection (2014) (United States) (DVD)
- Cargo Records (2018) (Germany) (DVD)
- Endless Classics (2018) (Germany) (DVD) (label)
- 375 Media (2019) (Germany) (DVD)
- The Criterion Channel (2019) (United States) (tv) (digital)
- HBO Max (2020) (United States) (video) (VOD)
- 9Gem (2020) (Australia) (tv)
- Danaos (2021) (Greece) (theatrical) (re-release)
- Paramount Channel (2023) (France) (tv)
Special Effects
Other Companies
- Western Electric (sound recording)
Storyline
Plot Summary |
Charles Tatum, a down-on-his-luck reporter, takes a job with a small New Mexico newspaper. The job is pretty boring until he finds a man trapped in an old Indian dwelling. He jumps at the chance to make a name for himself by taking over and prolonging the rescue effort, and feeding stories to major newspapers. He creates a national media sensation and milks it for all it is worth - until things go terribly wrong.
Written by John Oswalt |
Plot Keywords | |
Taglines | Rough, tough Chuck Tatum, who battered his way to the top ... trampling everything in his path - men, women and morals ! See more » |
Genres | |
Parents Guide | View content advisory » |
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Box Office
Budget | $1,800,000 (estimated) |
Did You Know?
Trivia | After the film was released, it got bad reviews and lost money. The studio, without Billy Wilder's permission, changed the title to "The Big Carnival" to increase the box office take of the film. It didn't work. On top of that, Wilder's next picture, "Stalag 17 (1953)," was a hit and he expected a share of the picture's profits. Paramount's accountants told him that since this picture lost money, the money it lost would be subtracted from the profits of "Stalag 17". See more » |
Goofs | Rattlesnakes will not eat bubble gum, in or out of the wrapper. See more » |
Movie Connections | Featured in AFI Life Achievement Award: A Tribute to Billy Wilder (1986). See more » |
Soundtracks | The Hut-Sut Song See more » |
Quotes |
Charles Tatum:
Bad news sells best. Cause good news is no news. See more » |